The words improv and comedy are so regularly used together, but comedy doesn’t have to be the goal. How do we define what ‘dramatic improv’ is and how is the audience experience different?
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Just as our art form adapted by going online, online shows have adapted with the technology. As people realise that online improv is going to stay with us in some form how is technology is being used and adapted by teams to make the experience better for performers and audiences and the improv community as a whole?
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It's nearly ten months since most live improv shows around the world paused. Some improvisers have taken their short form shows online and adapted them, other improvisers have decided to move from long form to short form as they feel it suits the medium. Is short-form better suited to our new online improv world?
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2020 has been a year most of us would care to forget but in the midst of a global pandemic, there have been some wise voices, telling us things worth hearing and acting on. Hear clips from some of this year’s guests and some bits we didn’t get to use due to time
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Improv wishes for 2021. As one calendar year comes to the end and we reflect on a year no one bargained for, what are improvisers around the world hoping will happen to improv in 2021?
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