Some improv schools talk a lot about it, others not so much. So, what do we mean when we ask someone to play high or low status? And how much do we need it to build characters and on-stage dynamics?
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While improv has made huge efforts to get online during the global pandemic in either Zoom or podcast form, musical improv has extra barriers to overcome with the technology. And yet, musical improv classes and podcasts are still running. How?
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